INTERNATIONAL FEATURE FILM (prev. BEST FOREIGN-LANGUAGE FILM)

• "Another Round" by Thomas Vinterberg in 2021
• “Ida” by Pawel Pawlikowski in 2015
• “The Great Beauty” by Paolo Sorrentino in 2014
• “Love” by Michael Haneke in 2013
• “Mar Adentro” by Alejandro Amenabar in 2004
• “No Man’s Land” by Danis Tanovic in 2001
• “Kolya” by Jan Sverak in 1996
• “Antonia’s Line” by Marleen Gorris in 1995
• “Belle Epoque” by Fernando Trueba in 1993
• “Journey of Hope” by Xavier Koller in 1991

GOLDEN PALM

• "Triangle of Sadness" by Rüben Östlund in 2022
• "Titane" by Julia Ducournau in 2021
• “The Square” by Ruben Östlund in 2017
• “Winter Sleep” by Nuri Bilge Ceylan in 2014
• “Blue is the Warmest Colour” by Abdellatif Kechiche in 2013
• “Love (Amour)” by Michael Haneke in 2012
• “The White Ribbon (Das weisse Band)” by Michael Haneke in 2009
• “The Child (L’enfant)” by the Dardenne brothers in 2005
• “Dancer in the dark” by Lars von Trier in 2000
• “Mia Eoniotita Ke Mia Mera (Eternity and a Day)” by Theo Angelopoulos in 1998
• “Underground” by Emir Kusturica in 1995

GRAND PRIX - CRYSTAL GLOBE

• "Blaga's Lessons" by Stephan Komandarev in 2023
• "As Far as I Can Walk" by Stefan Arsenijević in 2021
• "The Father" by Kristina Grozeva and Petar Valchanov in 2019
• “I Do Not Care If We Go Down in History as Barbarians” by Radu Jude in 2018
• “Little Crusader” by Václav Kadrnka in 2017 – winner of the Eurimages Co-production Development Award
• “Corn Island” by George Ovashvili in 2014
• “The Notebook” by Janos Szasz in 2013
• “La finestra di fronte” (Facing Window) de Ferzan Ozpetek in 2003
• “Ma vie en rose” by Alain Berliner in 1997
• “Krapatchouk” by Enrique Gabriel Lipschutz in 1992

GOLDEN LEOPARD

• "Nightsiren" by Tereza Nvotová in 2023 (Concorso Cineasti del Presente)
• "Brotherhood" by Francesco Montagner in 2021 (Consorso Cineasti del Presente)
• “Godless” (Bezbog) by Ralitza Petrova in 2016
• “Khamosh Pani” (Silent Waters) by Sabiha Sumar in 2003

GOLDEN LION

• “A Pigeon Sat on a Branch Reflecting Existence” by Roy Andersson in 2014
• “Trois couleurs : bleu” by Krzysztof Kieslowski in 1993

GOLDEN BEAR

• "Alcarràs" by Carla Simón in 2022
• "Touch Me Not" by Adina Pintilie in 2018
• “Bal” by Semih Kaplanoglu in 2010
• “Grbavica” by Jasmila Zbanic in 2006

GOLDEN SHELL

• “Los pasos dobles” by Isaki Lacuesta in 2011
• “Pandoranin Kutusu” (Pandora’s Box) by Yesim Ustaoglu in 2008
• “Something Like Happiness” by Bohdan Sláma in 2005

HEART OF SARAJEVO (for Best Film)

• "Exile" by Visar Morina in 2020
• “Album” (Albüm) by Mehmet Can Mertoğlu in 2016
• “Mustang” by Deniz Gamze Ergüven in 2015
• “Everybody in our Family” by Radu Jude in 2012
• “Ordinary People” by Vladimir Perišić in 2009
• “Takva: A Man’s Fear of God” by Özer Kiziltan in 2007
• “No Man’s Land” by Danis Tanović in 2001
• “Ma vie en rose” by Alain Berliner in 1994
• “Breaking the Waves” by Lars von Trier in 1993

EUROPEAN FILM OF THE YEAR

• "Triangle of Sadness" by Ruben Östlund in 2022
• "Quo vadis, Aida? " by Jasmila Žbanić in 2021
• "Another Round" by Thomas Vinterberg in 2020
• "Cold War" by Pawel Pawlikowski in 2018
• “The Square" by Ruben Östlund in 2017
• “Toni Erdmann” by Maren Ade in 2016
• “Youth – La Giovinezza” by Paolo Sorrentino in 2015
• “Ida” by Pawel Pawlikowski in 2014
• “The Great Beauty” by Paolo Sorrentino in 2013
• “Love” by Michael Haneke in 2012
• “Melancholia” by Lars von Trier (+ Carlo di Palma European Cinematographer Award and European Production Designer) in 2011
• “Das weisse Band (The White Ribbon)” (+ European Screenwriter – Michael Haneke -) in 2009
• “Caché (Hidden)” by Michael Haneke (+ European Actor– Daniel Auteuil –, European Editor – Michael Hudecek & Nadine Muse – and FIPRESCI Award) in 2005
• “Dancer in the Dark” by Lars von Trier (+ Best European Actress 2000 – Björk -) in 2000
• “Breaking the Waves” by Lars von Trier 1996 (+ FIPRESCI Award and European Actress of the Year – Emily Watson -) in 1996
• “Land and Freedom” by Ken Loach in 1995
• “Lamerica” by Gianni Amelio in 1994
• “Il ladro di bambini (The Stolen Children)” by Gianni Amelio in 1992